Japanese doom and heavy rock powerhouse HEBI KATANA announces the release of their fourth studio album “Imperfection” this July 25th on Ripple Music and presents the haunting debut single “Dead Horse Requiem” today.
HEBI KATANA are purveyors of a one-of-a-kind fusion of wabi-sabi (Japanese traditional acceptance of transience and imperfection) and heavy doom sounds! Their 2023 album “III” was widely acclaimed in Japan and overseas and ranked #7 on the influential Doom Charts for December 2023, while influential US magazine New Noise Magazine deemed the trio as “a deadly new force within the Japanese scene”.
Their upcoming fourth full-length “Imperfection” — written and recorded in parallel of a tour with the same lineup as “III” — features lyrics inspired by Matsuo Basho and Tanizaki Junichiro’s “wabi sabi” “beauty of imperfection” and “enso” based on the unique Japanese spiritual world. This new album refines their signature doom and proto-hard rock sound, merging loud roaring riffs with beaming melodies. Pulsing with sheer intensity and channeling the spirit of the 70s, their dynamics interweave doom metal weight and psychedelic expansiveness while staying true to their dark, shadowy and introspective worldview.
The trio’s chemistry shines as they balance brute force with intricate subtleties, creating a sound that feels both primal and meticulously crafted. “Imperfection” marks a bold evolution for HEBI KATANA. Every riff, groove, and vocal line reinforces their identity — a band unafraid to explore darkness while delivering pure, riff-driven power in their own right. Don’t wait to join the cult.
HEBI KATANA “Imperfection”
Out July 25th on Ripple Music (LP/CD/digital)
Formed in Tokyo in 2020, HEBI KATANA released their self-titled debut album at the end of the same year. With their authentic doom/stoner sound and dark and mellow heavy rock sound, they quickly became a cornerstone of the Japanese scene amongst enthusiasts in overseas media, establishing their sound as “Tokyo Samurai Doom”. In 2022, they released their second album “Impermanence”, welcoming Yukito Okazaki of Eternal Elysium/Studio Zen fame as the producer. A year later, they issued their third album “III”, which was distributed in Japan, as well as in Germany, Poland and the UK. The band performed relentlessly in Tokyo and major cities in Japan, appeared at the Tokyo Doom Fest, and toured in Italy, France and South America.
